When is instrumental post-rock not stereotypically instrumental
post-rock?
When it gives a good reason to listen,which is where
Tristeza succeeds on Dream Signals in Full Circles shere so many
other bands fail.Like Mogwai ,Tristeza aims at a feeling of musical
warmth that belies the seemingly po-faced atmosphere of the
presentation ---the combination of guitar and keyboards on the
opening"Building Peaks"is enough to suggest and sparkling,a soft
waft upwards,while"Chiaroscuro"begins with a synth glaze that coule
make the song all on its own. Neo-soul rocker Bobby Conn adds some funk
guitar on"I am a Cheetah",making for an intriguing contrast that doesn`t
overwhelm the song .If anything .the drums bring in the funk at points as well,
suggesting a path more bands should consider in the future,though
the band finds its own particularly drifty way to wrap it up as a
whole.There are enough moments to suggest a quietly cinematic
chill as well,one of tension rather than simply experimenting but
going nowhere with it."Citu of the future"lives up to its name,
suggesting anighttime atmosphere of glowering buildings in
moonlight,a soft threat lurking in the shadows provided bu a buried
feedback drone.When a new keyboard melody starts up after the
general mood is set.it brings back the warmth just so,even as the
cyclical.circular performance continues.The one most overt
Krautrocking number of the bunch ,"Auroura Borealis,"is pretty
much a shorter version of Neu!`s "Fur lmmer,"but it makes up for
the near plagiarism with yet another soaring yet deceptively simple
guitar solo that evokes a beautiful blue sky to go with the open road.
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