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The starting point of my approach is that a work of art is not isolated, it is found in the works of art, and can explain the overall work of art.
The first step is not difficult. A piece of art, whether it is a painting, a tragedy, a statue, it is obvious to belong to a whole, that is, all the works of the author. This is very simple. Everyone knows that many different works of an artist are relatives, like a father's daughters, each have a significant similarities. You also know that every artist has his or her style, and all the works of his son. If he is a painter, he has his shades, or a bright or dim; he has a typical of his particular favorite. Noble or popular; he has his attitude, his compositions, his method, the thickness of his oil, his realistic style, his color his technique. If it is a writer, he has his characters, or a violent or peaceful; he has his plot, or complex or simple; he has his ending, tragic or comic: he has the effect of his style, his syntax. His vocabulary. It is true that, as long as the use of a very good artist of a no signature works to the experts to see, he is almost certain to say the writers; if he is quite experienced, the feeling is quite sensitive, can say works belong to the writer of which a period, belonging to the writer which stage of development.
This is the first general of a work of art. Here are second.
The artist himself, along with all his works, is not in isolation. There is a whole, including artists, more than the artist, that is, he belongs to the same place as the art of sectarian or artist family. Such as Shakespeare, at first glance seems to be falling from the sky the miracle that meteorites come from another planet, but around him, we see a dozen outstanding playwright, such as Wei Baisi intuit, Ford, Ma planet, Marlowe, Ben Jonson, Fulaiqi, Bodhisattva cast, are in the same style, same thoughts feelings writing. Characteristics of the characteristics of their drama and Shakespeare; you can see the same violent and terrible figures, the same murder and bizarre ending, the lust of the equally sudden and indulgence, the same confusion, strange, burned and brilliant style, the same to the field and landscape holding the rich poetic sentiment, also written general sensitive and deep love of woman. In the artist, as if is the one and only person Lu gibbons, before tianshic bearing no latecomers. But as long as to Belgium to visit Ghent, Brussels, Bruges, the angles and the valve, around the church, he found that a whole group of painters can and Rubens similar: first time with his eponymous Creil Angstrom, and Adam Vatican - Nolde. - Rila Zegers and dragon Pu hereby, Abraham Yansans, Vatican Ross, Vatican - lost Reardon, John Van - Oslo, and you are familiar with the Odens. - Van Dyck, all with the same thoughts and feelings for understanding painting. In each specific differences always keep the face of the same family. And Rubens. They like to show a healthy body, the fullness of life and fibrillation, abundant blood, I feel sensitive, congestion in the human body fully revealed the soft flesh, realistic, often still rough character, lively, bold action, shop embroidery disk flowers, light Yanzhao cloth, silk and cloth reflective, or floating or crumpled curtain curtain slow. Today, they at the same time to the Grand Master of the glory of the name seems to be their annihilation, but want to know who the master, still need to focus these talented writers around him, because he is just one of the highest branch, just the art family, the most prominent of a representative.
This is the second step. Now take third steps. The art family itself is also included in a larger population, which is the society around it and it is fun and consistent. Because the customs and the spirit of the times for the masses and for the artists are the same; artists are not isolated. Us separate centuries only hear the artist's voice: but in our ears to the loud voice spread under, can be distinguished from the masses and complex limitless song, like a large low hum, around the artist chorus. Only because of this piece of harmony, the artist has become a great. And this is a matter of necessity: Philippine de aspen and Ictinus and general building Badenong temple and shaping the Olympia of Cupid, with other Athenian is pagan, is the freedom of citizens, in the practice field rearing grew up in battle, light body in motion, accustomed to debate in the square vote; they have the same habits, the same interests, the same faith, the same race, the same educational, speak the same language, so in all aspect of life, artists and audience exactly alike.This is the second step. Now take third steps. The art family itself is also included in a larger population, which is the society around it and it is fun and consistent. Because the customs and the spirit of the times for the masses and for the artists are the same; artists are not isolated. Us separate centuries only hear the artist's voice: but in our ears to the loud voice spread under, can be distinguished from the masses and complex limitless song, like a large low hum, around the artist chorus. Only because of this piece of harmony, the artist has become a great. And this is a matter of necessity: Philippine de aspen and Ictinus and general building Badenong temple and shaping the Olympia of Cupid, with other Athenian is pagan, is the freedom of citizens, in the practice field rearing grew up in battle, light body in motion, accustomed to debate in the square vote; they have the same habits, the same interests, the same faith, the same race, the same educational, speak the same language, so in all aspect of life, artists and audience exactly alike.
So we can set a rule: to understand a work of art, an artist, and a group of artists, we must correctly visualize the spirit and customs of their time. This is the final interpretation of works of art, but also the basic reason for all of the decision. This point has been confirmed by the experience; as long as the history of the art of the various times, you can see some of the spirit and the spirit of the times and the customs of the situation at the same time, while the eradication of. For example, the Greek Tragedy: Aeschylus, Alfonso Fochler J, Euripides
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