第1个回答 2013-12-06
中国considerhongloumengas i.introductionmost杰出的作品在中国文学中，一本书，从集中体现了中国几千年的cul-ture.it是阅读和重读的人读rereadshakespeare。无数研究者把他们交给这本书的研究出现了红色的研究学校。因为在1970年代这两个全译本出版（故事的stonetranslatedby戴维霍克斯in1973anda梦红man-s. ..
翻译是一种决策过程。从文本的正确选择对翻译出版，由译者所做的任何决定都受到规范。戴维霍克斯的选择是由ST红楼梦文化身份和文化规范，极大地影响了目标。文本类型不同版本不一致决定了他的选择。通过初步的规范研究超越了戴维霍克斯的翻译，本文指出译者是翻译行为的实时控制器。遵循翻译规范，译者可以自己从一些约束的自由。决定遵守或违反规范，揭示译者的主体性
第2个回答 2013-12-05
I.IntroductionMost Chinese considerHongloumengas the grea-test work in the Chinese literature,a book that in somesense epitomizes the thousands of years of Chinese cul-ture.It is read and reread as people read and rereadShakespeare.Innumerable researchers devote them-selves to the study of this book and there comes theschool of Red Studies.Since the publication of two full translations of thisbook in the1970’s(The Story ofThe Stonetranslatedby David Hawkes in1973andA Dream ofRed Man-s…
Translation is a decision-making process. From the right selection of the text to the publication of the translation, every decision made by the translator is confined by norms. David Hawkes’ selection of Hongloumeng is greatly influenced by the cultural status of ST and the target cultural norms. The inconsistency of text types determines his selection from different versions. Through the study of the preliminary norms beyond David Hawkes’ translation, this paper tends to point out that the translator is the real controller of the translational behaviour. By following the translational norms, the translator can free himself from some constraints. The decisions made to follow or break the norms both reveal the subjectivity of the translator